Emilija Radojičić

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	<title>Emilija Radojičić</title>
	<link>https://emilijar.com</link>
	<description>Emilija Radojičić</description>
	<pubDate>Tue, 07 Jan 2025 14:59:28 +0000</pubDate>
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		<title>CURIOSA CONTINUA</title>
				
		<link>https://emilijar.com/CURIOSA-CONTINUA</link>

		<pubDate>Tue, 07 Jan 2025 14:59:28 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

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		<description>
Curiosa Continua is an exhibition of textile works and
drawings that represents the artist’s first solo show with the Adrian Sutton gallery in Paris.

						
The exhibition features Emilija Radojicic's most recent woven wall-hangings, offering a glimpse into
her psyche while evoking both personal and collective experiences, emotions, vibrations and natural
phenomena. These pieces explore the tactile nature of abstraction and highlight her interest in the
three-dimensionality aspect of her practice.

						
Beginning her artistic journey in drawing and painting, Emilija draws inspiration from the serenity
of nature and the symphony of its elements. However, her creative process extends far beyond mere
observation. Her artistic lineage reveals a deep well of intuition and spirituality that drive her to
explore new avenues of expression through diverse techniques and materials. A few years ago,
motivated by a desire to experiment with the spatiality of drawing, Radojicic started shifting from the
pencil line to the loom thread, marking a pivotal transformation in her practice. This transition
allowed her to weave her inner world, and the cultural influences that shaped her, into vibrantly
textural three-dimensional forms. Deeply rooted in her heritage and echoing the geometric designs of
the traditional Serbian Pirot kilims, her weavings serve as a testament to the enduring power of this
ancient craft while reinforcing her cultural identity. They blend playful shapes and vibrant colours
reminiscent of the aesthetic of the modernists, reflecting her quest for balance in nature through
contrasting elements.

						
Emilija Radojicic's latest work epitomizes a dynamic fusion of tradition and innovation, underpinned
by her relentless desire for expression. Viewing creativity as a means of cleansing the soul, a
philosophy reminiscent of Picasso’s methodology, she embraces the daily act of courage and
dedication necessary to maintain an artistic integrity. Central to her approach is the idea of "games,"
emphasizing exploration and discovery as essential components for her artistic growth. This strategy
is reflected in her diverse repertoire, which spans painting, drawing, weaving, sculpting, and working
with stone and wood. Through her skillful combination of various media, she creates a harmonious
blend of traditional and contemporary compositions - from the delicate traces of her drawings on
Burda paper, to the rich textures of her textiles, the wooden sculptural forms, and the functional
beauty of her furniture design, Radojicic's practice is proof of her boundless imagination and
versatility. Her ability to merge artistic expression with functional design highlights her unwavering
commitment to creativity, effectively bridging the gap between fine and applied arts - a hallmark of
the Bauhaus ideals. Radojicic's work honours the lasting influence of tradition while exploring the
limitless possibilities of innovation, creating a visual language that invites viewers to delve into the
intersection of tradition and modernity.
Read Luana Hildebrandt's full text about the exhibition here.
Photos taken by Margot Montigny.

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		<title>Home</title>
				
		<link>https://emilijar.com/Home</link>

		<pubDate>Sun, 19 Jan 2020 17:58:07 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/Home</guid>

		<description>
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	<item>
		<title>About</title>
				
		<link>https://emilijar.com/About</link>

		<pubDate>Sun, 28 Jul 2019 16:59:54 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/About</guid>

		<description>
	Emilija's recent work revolves around the interplay of art and design while exploring the spatial aspects of drawing, textiles and sculpture through different mediums and materials. Emilija initially started with drawing, lately largely interpreted in tactile and three-dimensional works.Emilija founded ETAR studio in 2019.
Born in 1989. Living and working in Belgrade.


Contact

aloha.emaemaema@gmail.com

Instagram

CV


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	<item>
		<title>TRA woven painting installation</title>
				
		<link>https://emilijar.com/TRA-woven-painting-installation</link>

		<pubDate>Fri, 24 May 2024 21:57:24 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/TRA-woven-painting-installation</guid>

		<description>TRA

wool and cotton threads, wood
weaving, installation

10x105x155cm
2023.


	This work was part of my solo show named Between The Palms which opened in October 2023. at Museum Terra. The exhibition was interwoven within terracotta sculptures, the permanent residents of the space. Numerous artists from all over the world created these sculptures - over forty years of creation - using only fire and earth. It is the biggest terracotta sculpture collection in Europe. My works were only temporary visitors.

I aimed to create works that can communicate with the space and it's permanent tenants, and yet, not draw too much attention to themselves or clash with what is already there. They are imagined as guests, only staying for a period of time.

An exhibition within an exhibition.


Jovana Simovski wrote for this occasion: “… These images remain untouched by language, although there are traces of white skeletons of consonants deep in all the blacks, while all the whites are a living, breathing tissue of vowels, sung pristine and pure. A soft and tender sound accompanied by a rhythm mutually shared envelops them entirely. They modulate incessantly into one another. If each were a note, it would stand out and circulate the space around the common center and could be held on one’s palm until it disappeared. I can sense the dedication and time put into shaping them into what they have become. They multiply with the time I take to stand and observe, they multiply with time immemorial. I take a look in between and from both sides simultaneously, anticipating tension, but receiving a question instead. How can I widen these lines and let the light through?…”

You can read her full text about the exhibition here. 

All photos were taken by Marijana Janković


, except for the hand and detail shot by Jovana Simovski.


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</description>
		
	</item>
		
		
	<item>
		<title>TRA OPENING woven painting installation copper</title>
				
		<link>https://emilijar.com/TRA-OPENING-woven-painting-installation-copper</link>

		<pubDate>Fri, 24 May 2024 21:48:23 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/TRA-OPENING-woven-painting-installation-copper</guid>

		<description>TRA

wool and cotton threads, copper&#38;nbsp;
weaving, installation

10x150x175cm
2023.


	This work was part of my solo show named Between The Palms which opened in October 2023. at Museum Terra. The exhibition was interwoven within terracotta sculptures, the permanent residents of the space. Numerous artists from all over the world created these sculptures - over forty years of creation - using only fire and earth. It is the biggest terracotta sculpture collection in Europe. My works were only temporary visitors.

I aimed to create works that can communicate with the space and it's permanent tenants, and yet, not draw too much attention to themselves or clash with what is already there. They are imagined as guests, only staying for a period of time.

An exhibition within an exhibition.


Jovana Simovski wrote for this occasion: “… These images remain untouched by language, although there are traces of white skeletons of consonants deep in all the blacks, while all the whites are a living, breathing tissue of vowels, sung pristine and pure. A soft and tender sound accompanied by a rhythm mutually shared envelops them entirely. They modulate incessantly into one another. If each were a note, it would stand out and circulate the space around the common center and could be held on one’s palm until it disappeared. I can sense the dedication and time put into shaping them into what they have become. They multiply with the time I take to stand and observe, they multiply with time immemorial. I take a look in between and from both sides simultaneously, anticipating tension, but receiving a question instead. How can I widen these lines and let the light through?…”

You can read her full text about the exhibition here. 

All photos were taken by Marijana Janković.

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/45adcd4c059eaab98a3c69890a9d147e046d7afb8b76b6d451a9dfdb1cf42083/Emilija-Radojicic_Museum-Terra_TRA_large-woven-painting_copper_2023_1.jpg" data-mid="211623947" border="0"  src="https://freight.cargo.site/w/1000/i/45adcd4c059eaab98a3c69890a9d147e046d7afb8b76b6d451a9dfdb1cf42083/Emilija-Radojicic_Museum-Terra_TRA_large-woven-painting_copper_2023_1.jpg" /&#62;
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&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/174528725fae64a90524c2e5e842d3ca9ff032017c1a716c187f277e71d39132/Emilija-Radojicic_Museum-Terra_TRA_large-woven-painting_copper_2023_4.jpg" data-mid="211623950" border="0"  src="https://freight.cargo.site/w/1000/i/174528725fae64a90524c2e5e842d3ca9ff032017c1a716c187f277e71d39132/Emilija-Radojicic_Museum-Terra_TRA_large-woven-painting_copper_2023_4.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>TRA TWO MOONS installation</title>
				
		<link>https://emilijar.com/TRA-TWO-MOONS-installation</link>

		<pubDate>Fri, 24 May 2024 21:27:52 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/TRA-TWO-MOONS-installation</guid>

		<description>TRATWO MOONS

wool and cotton threads, rope, iron, wood,&#38;nbsp;
sculpture, installation

20x100x100cm
2023.


	This work was part of my solo show named Between The Palms which opened in October 2023. at Museum Terra. The exhibition was interwoven within terracotta sculptures, the permanent residents of the space. Numerous artists from all over the world created these sculptures - over forty years of creation - using only fire and earth. It is the biggest terracotta sculpture collection in Europe. My works were only temporary visitors.

I aimed to create works that can communicate with the space and it's permanent tenants, and yet, not draw too much attention to themselves or clash with what is already there. They are imagined as guests, only staying for a period of time.

An exhibition within an exhibition.


Jovana Simovski wrote for this occasion: “… These images remain untouched by language, although there are traces of white skeletons of consonants deep in all the blacks, while all the whites are a living, breathing tissue of vowels, sung pristine and pure. A soft and tender sound accompanied by a rhythm mutually shared envelops them entirely. They modulate incessantly into one another. If each were a note, it would stand out and circulate the space around the common center and could be held on one’s palm until it disappeared. I can sense the dedication and time put into shaping them into what they have become. They multiply with the time I take to stand and observe, they multiply with time immemorial. I take a look in between and from both sides simultaneously, anticipating tension, but receiving a question instead. How can I widen these lines and let the light through?…”

You can read her full text about the exhibition here. 

All photos were taken by Marijana Janković.

&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/792fb55a81d8b7549fc773ad07a8414ca28008aabe04b2d068ac1f5ffbbb0b07/Emilija-Radojicic_Museum-Terra_TRA_TWO-MOONS_installation_2023_4.jpg" data-mid="211623494" border="0"  src="https://freight.cargo.site/w/1000/i/792fb55a81d8b7549fc773ad07a8414ca28008aabe04b2d068ac1f5ffbbb0b07/Emilija-Radojicic_Museum-Terra_TRA_TWO-MOONS_installation_2023_4.jpg" /&#62;

 
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</description>
		
	</item>
		
		
	<item>
		<title>TRA TIME installation</title>
				
		<link>https://emilijar.com/TRA-TIME-installation</link>

		<pubDate>Sat, 25 May 2024 13:48:15 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/TRA-TIME-installation</guid>

		<description>TRATIME

wool and cotton threads, iron, wood, 
tapestry, installation

100x180cm
2023.


	This work was part of my solo show named Between The Palms which opened in October 2023. at Museum Terra. The exhibition was interwoven within terracotta sculptures, the permanent residents of the space. Numerous artists from all over the world created these sculptures - over forty years of creation - using only fire and earth. It is the biggest terracotta sculpture collection in Europe. My works were only temporary visitors.

I aimed to create works that can communicate with the space and it's permanent tenants, and yet, not draw too much attention to themselves or clash with what is already there. They are imagined as guests, only staying for a period of time.

An exhibition within an exhibition.


Jovana Simovski wrote for this occasion: “… These images remain untouched by language, although there are traces of white skeletons of consonants deep in all the blacks, while all the whites are a living, breathing tissue of vowels, sung pristine and pure. A soft and tender sound accompanied by a rhythm mutually shared envelops them entirely. They modulate incessantly into one another. If each were a note, it would stand out and circulate the space around the common center and could be held on one’s palm until it disappeared. I can sense the dedication and time put into shaping them into what they have become. They multiply with the time I take to stand and observe, they multiply with time immemorial. I take a look in between and from both sides simultaneously, anticipating tension, but receiving a question instead. How can I widen these lines and let the light through?…”

You can read her full text about the exhibition here. 

All photos were taken by Marijana Janković.

&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b4dd364ca0800e7a91b9d912f80b7c263a785f169404f5f9386feb08430ec67d/Emilija-Radojicic_Museum-Terra_TRA_time_woven-installation_2023_2.jpg" data-mid="211642309" border="0"  src="https://freight.cargo.site/w/1000/i/b4dd364ca0800e7a91b9d912f80b7c263a785f169404f5f9386feb08430ec67d/Emilija-Radojicic_Museum-Terra_TRA_time_woven-installation_2023_2.jpg" /&#62;

 
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	<item>
		<title>TRA DRAWINGS large pedestal</title>
				
		<link>https://emilijar.com/TRA-DRAWINGS-large-pedestal</link>

		<pubDate>Fri, 24 May 2024 20:27:17 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/TRA-DRAWINGS-large-pedestal</guid>

		<description>TRADRAWINGS 1, 2, 3, 4, 5, 6, 7, 8

wooden pencils on paper 
drawing, sculpture, installation

21x29,5cm (each drawing)90x150x160cm (pedestal)
2023.


	This work was part of my solo show named Between The Palms which opened in October 2023. at Museum Terra. The exhibition was interwoven within terracotta sculptures, the permanent residents of the space. Numerous artists from all over the world created these sculptures - over forty years of creation - using only fire and earth. It is the biggest terracotta sculpture collection in Europe. My works were only temporary visitors.

I aimed to create works that can communicate with the space and it's permanent tenants, and yet, not draw too much attention to themselves or clash with what is already there. They are imagined as guests, only staying for a period of time.

An exhibition within an exhibition.


Jovana Simovski wrote for this occasion: “… These images remain untouched by language, although there are traces of white skeletons of consonants deep in all the blacks, while all the whites are a living, breathing tissue of vowels, sung pristine and pure. A soft and tender sound accompanied by a rhythm mutually shared envelops them entirely. They modulate incessantly into one another. If each were a note, it would stand out and circulate the space around the common center and could be held on one’s palm until it disappeared. I can sense the dedication and time put into shaping them into what they have become. They multiply with the time I take to stand and observe, they multiply with time immemorial. I take a look in between and from both sides simultaneously, anticipating tension, but receiving a question instead. How can I widen these lines and let the light through?…”

You can read her full text about the exhibition here. 

All photos were taken by Marijana Janković.


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</description>
		
	</item>
		
		
	<item>
		<title>TRA DRAWINGS medium pedestal</title>
				
		<link>https://emilijar.com/TRA-DRAWINGS-medium-pedestal</link>

		<pubDate>Fri, 24 May 2024 19:41:44 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/TRA-DRAWINGS-medium-pedestal</guid>

		<description>TRADRAWINGS 9, 10

wooden pencils on paper 
drawing, sculpture, installation

21x29,5cm (each drawing)45x45x160cm (pedestal)
2023.


	This work was part of my solo show named Between The Palms which opened in October 2023. at Museum Terra. The exhibition was interwoven within terracotta sculptures, the permanent residents of the space. Numerous artists from all over the world created these sculptures - over forty years of creation - using only fire and earth. It is the biggest terracotta sculpture collection in Europe. My works were only temporary visitors.

I aimed to create works that can communicate with the space and it's permanent tenants, and yet, not draw too much attention to themselves or clash with what is already there. They are imagined as guests, only staying for a period of time.

An exhibition within an exhibition.


Jovana Simovski wrote for this occasion: “… These images remain untouched by language, although there are traces of white skeletons of consonants deep in all the blacks, while all the whites are a living, breathing tissue of vowels, sung pristine and pure. A soft and tender sound accompanied by a rhythm mutually shared envelops them entirely. They modulate incessantly into one another. If each were a note, it would stand out and circulate the space around the common center and could be held on one’s palm until it disappeared. I can sense the dedication and time put into shaping them into what they have become. They multiply with the time I take to stand and observe, they multiply with time immemorial. I take a look in between and from both sides simultaneously, anticipating tension, but receiving a question instead. How can I widen these lines and let the light through?…”

You can read her full text about the exhibition here. 

All photos were taken by Marijana Janković.


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/0149db6e1c37cba4f19350521ba697096a71f5fba3d6a2f1f9018ea5ffcf2938/Emilija-Radojicic_Museum-Terra_TRA_medium-drawing-postament_2023_1.jpg" data-mid="211617082" border="0"  src="https://freight.cargo.site/w/1000/i/0149db6e1c37cba4f19350521ba697096a71f5fba3d6a2f1f9018ea5ffcf2938/Emilija-Radojicic_Museum-Terra_TRA_medium-drawing-postament_2023_1.jpg" /&#62;


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</description>
		
	</item>
		
		
	<item>
		<title>TRA DRAWING small pedestal</title>
				
		<link>https://emilijar.com/TRA-DRAWING-small-pedestal</link>

		<pubDate>Fri, 24 May 2024 19:22:32 +0000</pubDate>

		<dc:creator>Emilija Radojičić</dc:creator>

		<guid isPermaLink="true">https://emilijar.com/TRA-DRAWING-small-pedestal</guid>

		<description>TRADRAWING 11

wooden pencils on paper&#38;nbsp;
drawing, sculpture, installation

21x29,5cm (drawing)
45x45x160cm (pedestal)
2023.


	This work was part of my solo show named Between The Palms which opened in October 2023. at Museum Terra. The exhibition was interwoven within terracotta sculptures, the permanent residents of the space. Numerous artists from all over the world created these sculptures - over forty years of creation - using only fire and earth. It is the biggest terracotta sculpture collection in Europe. My works were only temporary visitors.

I aimed to create works that can communicate with the space and it's permanent tenants, and yet, not draw too much attention to themselves or clash with what is already there. They are imagined as guests, only staying for a period of time.

An exhibition within an exhibition.


Jovana Simovski wrote for this occasion: “… These images remain untouched by language, although there are traces of white skeletons of consonants deep in all the blacks, while all the whites are a living, breathing tissue of vowels, sung pristine and pure. A soft and tender sound accompanied by a rhythm mutually shared envelops them entirely. They modulate incessantly into one another. If each were a note, it would stand out and circulate the space around the common center and could be held on one’s palm until it disappeared. I can sense the dedication and time put into shaping them into what they have become. They multiply with the time I take to stand and observe, they multiply with time immemorial. I take a look in between and from both sides simultaneously, anticipating tension, but receiving a question instead. How can I widen these lines and let the light through?…”

You can read her full text about the exhibition here. 

All photos were taken by Marijana Janković.


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a656317ea2c9d2ce7dfa0f21407391212af0d58d5e7eb960d9f3c5efd262bb6f/Emilija-Radojicic_Museum-Terra_TRA_small-drawing-postament_2023_2.jpg" data-mid="211616103" border="0"  src="https://freight.cargo.site/w/1000/i/a656317ea2c9d2ce7dfa0f21407391212af0d58d5e7eb960d9f3c5efd262bb6f/Emilija-Radojicic_Museum-Terra_TRA_small-drawing-postament_2023_2.jpg" /&#62;
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